Saint-Rémy (May 1889 – May 1890)
On 8 May 1889, accompanied by a nurse, committed to the Reverend Salles, the hospital in Saint-Paul-de-Mausolus. A former convent of Saint-RMY less than 20 miles (32 km) from Arles, the monastery in an area of grain fields, vineyards and olive groves at the time of a former Navy doctor, Theophilus Dr.Th Peyron tip located. Theo roomsadjoining organized two small cells with barred windows. The second was how a study will be used.
During his visit, the clinic and its garden, the main themes of his oil paintings. He has several studies within the hospital, including the lobby of the asylum in Saint-Remy (September 1889). Some of the works from this period is marked by one of his most famous swirlsincluding the starry night. He could run short supervised walks, the images of cypresses and olive trees, and olives with the Alpilles in the title information, 1889, Cypress 1889, cornfield with cypresses (1889), land of Provence Night (1890). Limited access to the world outside the clinic to a shortage area. He worked on the interpretation of images by other artists, such as the sower and the breaking C MilletThe work 00.00 (after Millet), and changes in his own earlier work. Van Gogh was an admirer of Jules Breton Realism, Gustave Courbet and Millet, and against his copy to the interpretation of Beethoven, a musician. Many of his most fascinating works date from this period, and its cycle of prisoners (1890) after an engraving by Gustave Dore (1832C1883), the prisoner's face in the middle of the picture and we painted on the Van Gogh viewers.
The Arlsienne (Madame Ginoux) (1890), Kr? Miller-Mller Museum Portrait Dr. Gachet (1890), sold U.S. $ 82,500,000 in 1990. Round collectionThe private prisoners (1890). In September this year, he has produced two other versions of holiday in Arles, and in February 1890 he painted four portraits of L'Arlsienne (Madame Ginoux), produced on a charcoal sketch Gauguin had been based at Madame Ginoux satellite for both artists in early November 1888th His work was supported by Albert Aurier the Mercure de France, vowed in January 1890, when he was described as a genius . In February, invited by Les XX, a society of avant-garde painters took in Brussels, in their annual exhibition. In
