giaquinto oil painting

Buy great quality hand painted oil on canvas fine art reproduction of your favorite painting for a fraction of the price you would expect to pay! Enjoy a reproduction that captures the artists original style, color, texture and style as it graces your home and makes you the envy of your friends and family! Finally fine art reproduction painting priced to be affordable.
Just browse the on-line gallery of Wholesale Art Mall until you find your favorite oil painting. Our highly trained and experienced artists have studied the originals in order to copy the exact brushstrokes, surface texture and color. They have spent years studying the styles and techniques of each master. Every Oil Painting begins as a blank, stretched canvas and is entirely hand-painted; no mechanical transfer processes of any kind are ever used.
The artist uses the same techniques as the great masters starting with a sketch rendering onto the canvass. We guarantee that your picture is totally hand-painted without any mechanical reproduction processes being used. The execution and use of materials are faithful to the original in style, texture and color down to fine detail. To ensure integrity, our artists reproduce your chosen masterpiece only from expensive color slides sold by the museums where the originals are housed. The colors and brushstrokes mimic the original. Our Fine Art reproductions are not aged with yellowing pigments or artificial cracking to appear as the original did upon completion.
Visit our on-line art gallery website to view quality, hand painted, oil on canvas, fine art reproductions of Famous Paintings from the renaissance period through to the modern art era and learn how you can own an original.

Art is an innate ability of people. This art is expressed in several ways, for example, paintings, sculptures, drawings, ceramics, handicrafts, etc. For this reason, there are thousands of museums all over the world to display these works. The most important museums are located in the old continent, Europe. If you like art, don’t forget to buy Oil Painting Reproductions and read everything about this fascinating style.

Generally, museums are open to the general public, but occasionally charging an admission fee. Some museums are publicly funded and have free access, either permanently or on special days according to the laws of the country. Today, there are many types of museums usually located in the main cities. We can find museums of: paint, science, technology, anthropology, history, craft, botanical, fine arts even children’s museums.

Oil Painting Reproductions are situated in all museums. An Art museum, also identified as an art gallery, is a space for the exhibition of art, regularly in the form of art objects from the visual arts, principally oil paintings, illustrations, and sculpture. If you have the opportunity of visit diverse museums in different countries, don’t miss the chance to increase your knowledge. There is always something new to learn, especially in a museum.

It is a list of the most renowned museums around the globe: Rijksmuseum, Stedelijk Museum and Van Gogh Museum in the Netherlands, Louvre Museum, Rodin Museum and d’Orsay Museum in France, British Museum in United Kingdom, Uffizi Gallery in Italy, Del Prado Museum and Picasso Museum in Spain and Museum of Modern Art in Austria.

Expand your art’s knowledge and discover new cultures in these museums. Oil Painting Reproductions will be an excellent gift.

In its broadest sense, the word abstract is applied to any art that does not represent recognizable objects. Abstract African American or Black Art is art that departs significantly from natural appearances that are African or Black. This form of Afrocentric Art usually has modifications or changes of varying degrees in order to emphasize certain qualities or content but the subject matter remains Black or Afro-cultural. Recognizable references to the original appearances may be slight. The term is also used to describe Black art that is nonrepresentational.

This form of Ethnic art is not realistic, an image is often based on an actual subject, place, or feeling. Pure abstraction can be interpreted as any art in which the depiction of real objects has been entirely discarded and whose aesthetic content is expressed in a formal pattern or structure of shapes, lines and colors. This is often a common theme in African art. Nonrepresentational lines, colors, shapes, and forms replace accurate visual depiction of objects, landscape, and figures. The subjects often stylized, blurred, repeated or broken down into basic forms so that they become unrecognizable. Intangible subjects such as thoughts, emotions, and time are also expressed in the abstract Black art form.

This general term refers to works executed in accordance with the principle that lines, forms and colors possess aesthetic values which may be arranged into pleasing COMPOSITIONS devoid of normal subject matter. The principle is very old and can be traced back to Africa. Take a look at our fantastic selection of Abstract black art.

Source: http://www.ArticlePros.com/author.php?Chantal Amsterdam

Following are the tips for you to maintain good oil painting habits:

Tips for saving color:
• Clean away any mixtures near heaps of colors you are setting up to keep.
• Keep a habit to put colors in same place on palette – used up areas must be worn out & wiped for new oil paint for next painting session.
• For disposable palettes scoop off mounds of paint you desire to maintain with your knife and move them to a fresh sheet; if a skin shapes, stab and take away the skin and work with the new color under.
• If you are not regular on painting for a week – cover palette with plastic cover & place in freezer.
• When you desire to clean your palette clean off central mixing area of wooden/acrylic palette, when you are done with your oil painting,
• For caring for tube keep tubes clean, wipe necks & caps.

Caring for your brushes:
• Wipe to take away surplus paint on rags, newspaper, etc.
• Rinse in container of solvent not advisable to soak.
• Clean your oil painting brush with rags, newspaper to immerse up solvent
• You can also use mild soap (shampoo or dawn), put dab in palm of your hand, foam brush in palm moving in circle to work foam into bristles.
• Lather & wash it in lukewarm water until soap suds are snow white, & rinse with clear water; bristles might discolor.
• Press bristles into tidy, solid shape while moist.
• Let it dry and store in jar bristle-end up.

Safety precautions:
• Read labels on oil paints and mediums – some are gently toxic (cadmium colors), so you need to careful with it.
• Avoid consumption of food or smoking while you paint
• Wash hands carefully after oil painting reproduction session; try using lotion to hands before hand, paints would wash off easier
• Some solvents don’t create deadly fumes, any how, must be used in well air room – open a window
• Some solvents are combustible also and toxic (gasoline, kerosene) – stick to turpentine and petroleum stuff made for artist’s use.

To accurately convey your feelings about the subject you are painting, you should learn and understand the fundamentals of oil painting like drawing, color theory, value and composition. I hope to give you a better understanding of these fundamentals in this article. This article is meant to be an introduction. You should study these topics further on your own when you have time.

DRAWING

Learning to draw, as a foundation for oil painting, is one of the most valuable skills a beginner oil painter can have. Many new artists usually frown upon the idea of drawing first. They would rather jump right into painting, as most beginners do. Nothing is more rewarding for a painter, than working with color, but if you want to gain experience working with values, form, and space, then drawing is something you should consider learning. This is not to say that you should master drawing, as it is an art form all in itself, but do spend time drawing and sketching your subjects before you work with color. Did you know that in art schools, many years ago, students were not permitted to work with paint until they successfully spent at least a few years drawing first? They must have been very restless, but imagine how skilled they became before they ever lifted a brush. You should at the very least have a basic understanding of drawing techniques before you begin. Check out Amazon.com for some great beginner drawing books that will give you a well rounded introduction to drawing and techniques. A book that is highly recommended by artists is: “The New Drawing on the Right Side of the Brain, by Betty Edwards”.

COLOR AND VALUE

Color is probably the single most exciting part of oil painting. It is truly amazing how an artist can take a two dimensional surface and create the illusion of depth and distance using color. To accurately depict a three dimensional scene using color requires much practice and an understanding of color theory and how to mix colors. The basics of color are value, hue, saturation and temperature. The value of a color is how light or dark it is. The hue refers to the color itself as it appears on the spectrum of colors. The saturation is the strength or purity of the color. The temperature of a color is how cool or warm a color is. For instance a cool color is blue and a warm is red. Artists can use temperature to give the illusion of distance. Cooler colors tend to recede into the distance, as in a distant mountain range, and warmer colors tend to advance closer toward the front of a picture. Color theory is a very broad topic, one that deserves more thorough attention. A great book on color theory and mixing is “Color Mixing the Van Wyk Way: A Manual for Oil Painters”.

COMPOSITION

Have you ever visited an art museum and a particular painting just grabbed your attention and drew you in? Something in that painting kept you there looking and studying it. One element the artist successfully used in that painting was composition. The artist laid out the shapes and divided the space in the painting in such away that appealed to your senses. Here are some points to consider when developing your composition:

1) Avoid putting the main focus of interest in the center of your painting. 2) The areas of your canvas should be divided into parts of different sizes. For instance, if you are creating a landscape painting, do not put the horizon right in the center of your painting. 3) Do not place all the interesting parts of your composition on the left side of your painting. People read from left to right so they will have no reason to continue viewing the rest of your painting. 4) Avoid placing an interesting or important element of the painting too close to the edge of the canvas.

There are other elements that contribute to good design in an oil painting. Here is another good book to study if you would like to learn more about this fascinating aspect of painting: the Simple Secret to Better Painting: How to Immediately Improve Your Work with the One Rule of Composition by Greg Albert.

I know all this information seems overwhelming at first. Oil painting can be very challenging in the beginning, but don’t let that intimidate you. The most important thing to remember is to never give up and keep painting. You will learn from your mistakes and grow as a painter. Everything will come together in time. Happy Painting!

Source: http://www.ArticlePros.com/author.php?Ralph Serpe

Leonardo da Vinci is also known as Leonardo di ser Piero da Vinci was born on 15th April 1452 was a Tuscan polymath. He was a great mathematician, inventor, scientist, engineers, botanist, architect, anatomist, sculptor, writer, musician and a greatest painter of all times. He was born at Vinci, Florence; whose father was Piero da Vinci and his mother was a peasant girl. Da Vinci has worked in places like Bologna, Venice and Rome; he spent his last final years in France at a place offered by the King Francois l. Leonardo da Vinci has been described as a universal genius and know as the Renaissance man He was renowned for two of his works; the Mona Lisa and The Last Supper. These were the two paintings which are considered to be the most religious paintings, most parodied portrait and reproduced.

The Mona Lisa is an amazing sixteenth century portrait painting worked on poplar panel with oil. It is also known as La Gioconda (La Jocondda), this is the most arguably and famous painting in the world and few other works of art has been subject to as much study, scrutiny, parody and mythologizing. Now the painting is owned by the French government at the Muse du Louvre (Museum of Louvre) in Paris, France. The painting is a half length portrait that depicts a lady whose gaze meets the viewer’s with an expression often described as mysterious. The haziness of the sitter’s look, the monumentality of the half figure composition and the delicate modeling of forms and atmospheric illusionism were novel characters that have been contributed to the painting’s continuing attraction.

The Last Supper is a fifteenth century mural painting, worked for his patron Duke Ludovico Sforza and for his duchess Beatrice d’ Este. The oil painting represents a scene of the last supper of Jesus Christ during his final days, when Jesus announced that one of his twelve disciples would be disloyal to him. This painting measures about 460 by 880 centimeters or 15 feet by 29 feet and the painting can be found at the back halls of the dining hall at Santa Maria delle Grazie in Milan, Italy. Leonardo painted this on a dry wall rather than on a wet plaster, so it is not a true fresco. As fresco can’t be modified as the artist works, he instead wanted to seal the wall with layers of gesso, pitch and mastic. The paint was preserved with tempera, as it is one of the methods used, however the piece didn’t withstand well; within many years of completion it already began to show signs of deterioration.

An advice on cleaning any oil painting that’s covered in dust or yellowed varnish has to come with a qualified disclaimer. More than other types of rough and ready projects, cleaning oil paintings need to be really trusted to specialist conservators.

However, if you’re painting is not that old, not offensively precious, or not too significant, there are a few likely ways to make it look brighter and spot less yourself. In addition, changing true antiques almost forever decreases their value, whether or not they look better to you.

If it seems that your painting is little older, evaluate whether the paint is in good shape but the varnish is quite aged. In this case, try applying a gentle solvent called conservation liquid. Art supply stores may sell an “emulsion” planned to clean and take away varnish. There is forever a chance that the solvent would also damage or take away the oil paint. If you are ready to risk this option, wipe the mix with a cotton swab very carefully. Try spot-testing one bend before moving on to the whole canvas. Work in an area with sufficient ventilation.

For recent paintings, your problem is more probable a build-up of dirt, smoke, pet hair, dander, and as well bacterial or any fungal growth. In this case, ensure none of the paint is prepared to come off the canvas or board, meaning that it doesn’t show any cracks or any flakes. Then you could cautiously dust the surface with an extremely spongy and dry bristle brush, such as a baby toothbrush or shaving cream brush.

When the surface is muggy, dirty, or oily, you might want to take the attack a step further and in fact uses a gentle detergent solution. Again, usually speaking, oil and water must never mix, as moisture could for sure damage both the canvas and the impasto. Proceeding with care, use brand new fiber cloths dipped in a mixture of dish soap and humid water. Lightly spot the surface, but do not scrub, clean, or rub at the painting. At no point should you sink any part of the painting, nor allow so much damp that it drips or pools.

Baroque appeared in Italy, and later was spread all over the Northern Europe. The Baroque period embraces roughly the time from 1600 to 1750. The word Baroque denotes ncorrectly shaped pearl in Portuguese, and in this meaning it best describes the different styles that are united under the Baroque heading.

Caravaggio, Italian Baroque artist, is one of the most brilliant representatives of naturalism painting in the 17th century. His religious compositions address to the Counter Reformation liking for realism, austerity, and piety in art. Equally significant is his dramatic application of chiaroscuro – contrasting spaces of light and dark.

Caravaggio’s influence on the art of his century is significant. He was fated to turn a great part of European art away from the idealistic viewpoint of the Renaissance to the notion that everyday reality was of primary significance. He was one of the first to depict people as ordinary looking.
Caravaggio main subjects are religious ones which he embodies with real courage as vitally proved. Caravaggio has a strong plastic modeling of form; he puts the oil-paint over the canvas with big, wide dabs applying strong contrasts of light and shadow that enhance the dramatic effects of many of his paintings. Sometimes Caravaggio works reached such a realistic force that clients refused from them not seeing the proper piety and ideality in the images.

The Crucifixion of Saint Peter is one of Caravaggio masterpieces. Three dishonest characters, their faces are concealed or turned away, are drawing, dragging and thrusting the cross to which Peter is nailed by the feet with his head put down.

Caravaggio’s Saint Peter cannot be called a heroic martyr, nor a Herculean hero relatively to Michelangelo, he is an old man suffering from pang and in fear of death. The scene that takes place on some stony field is dismal. The obscure, impermeable background attracts the viewer鈥檚 gaze back again to the keenly illuminated people who remind us, through the banal deformity of their actions and motions – note the yellow back and filthy feet of the lower man – that the death of the apostle did not look like a heroic drama, but a hapless and humiliating execution.
Rembrandt was a portrait painter. He applies the Baroque device of spotlighting the parts that are most significant in his self-portraits. The golden tinges of his subtly lit canvas make a series of individual portraits. His method of using paint in touches of heavy-laden brushes is named impasto and sometimes adds an almost sculptural measurement to his work. Rembrandt is also famous for his religious paintings. He was one of few artists that created religious paintings in Protestant Holland.

His famous painting The Return of the Prodigal Son(about 1668-1669) is considered to be an epilogue of Rembrandt works in which ethical height and picturesque skill of the artist have been shown up. The plot of the biblical parable about a prodigal son who has returned home after long wanderings attracted Rembrandt earlier. One of his earliest etchings and some drawings prove it. In the figures of a ragged youth who has knelt down and of an aged man who has put his hands on the youth clean-shaven head is seen the utmost intensity of feelings, the mental convulsion, the happiness of return, the bottomless parental love as well as bitter taste of disillusions, losses, humiliations, shame and penitence. This humaneness makes the scene understandable for people of all times and makes it eternal. The unity of colours especially astounds here. From orange-red tinges of the background everything is a single picturesque current that is perceived as an expression of one feeling.

The two representatives of Baroque style brought great changes into the art of their epoch. The Crucifixion of St Peter of Caravaggio is full of vital energy, realistic tinges and motion. The artist uses the notion of time, dramatic application of light, and a fervent theatricality in his painting. Caravaggio dresses his heroes in modern clothes, places them into a simple, familiar setting and in this way he gets the more cogency. The whole scene is so realistic that it seems as if the heroes are alive.

On the contrary, Rembrandt’s The Return of the Prodigal Son is full of vivid colours though they are obscure and soft. His painting shows us the reality of the intensity of feelings but in an opposite way. Rembrandt applies the dramatic effect of black light contrast to intensify the emotion influence on the audience that is certainly seen here.

What is portrait painting? This can be explained as follows: This kind of painting typically depicts a person’s face, from there, the word “portrait” originates. Furthermore, there are many portraits, old and new ones, on which you can see the portraitee’s whole body. A portrait is painted with the intention to show all characteristics and features. The painter tries to emphasize these details in a portrait. Upon the portraitee’s request, little blemishes and other visible details can be omitted once in a while. They are simply kept “secret” as painters would call it.

Already in ancient times (four thousand years BC) high standing personalities had themselves preserved for posterity. Portrait painting originated in ancient Egypt, as many pictures in the pyramids of deceased show, but only in Greece this genre came to perfection.
However, portrait painting was pushed into the background for a long time (until Renaissance) in favor of sculpture.

The main period of portrait painting only began with the Italian painting of high Renaissance, e. g. by artists like Leonardo da Vinci, Michelangelo, Raffael and Tizian.

In the following centuries, portrait painting blossomed totally. For example, in the 17th century, Peter Paul Rubens was a contract painter in great demand. The ones who could afford it had themselves preserved for posterity by this painter of Baroque, who was already those days well known.

Today, only a few people can afford an original oil painting made by an artist’s hand. And an original Rubens painting is even more utopia.

With the introduction of photography in the 19th and 20th centuries and the modern communication methods portrait painting changed fundamentally. Since then, also “normal” people, who are striving for a little bit of preservation, and who want to have themselves or their beloved ones painted on a canvas, can have it done at affordable prices.

In today’s contract painting, especially portraits of children, grandchildren, parents and grandparents are very popular. In addition to that, depictions of beloved domestic animals, fancy cars or favorite landscapes are widely asked for.

Nowadays, the ones who can afford it, order a portrait painting as an individual birthday present.

Good painters paint these portraits in such a precise way that their similarity with the originals is astonishing and almost have the effect of photos.

Even changes are possible according to individual demands Upon request, small blemishes can be omitted, as we have already mentioned above.

What characterizes a good portrait painter? A portrait painter must be able to paint a person with all his important features. He must be able to depict exactly what is really visible. You cannot simply go and change a portraitee’s features, because then the result would no longer be a portrait. In the moment of portrayal, the person who has himself portrayed offers the painter a special depiction of himself with his own details and features. Good painters are able to reach exactly this what has been described above. This characterizes them.

Source: http://www.ArticlePros.com/author.php?Stefan Heuer